Alice writes cheery bubblegum pop with dark existential undercurrents. She is currently developing a femme thriller feature. Other TV/film credits include: MOXIE (onset writer, dir. Amy Poehler), BARBIE GOLDEN BEACH HIGH (writer, Mattel), #DREAMHOUSE (writer, Mattel), BUSY TONIGHT (staff writer, EP Tina Fey), and the 2020 GLAAD AWARDS (creative consultant, GLAAD).
She is also a playwright and dramaturg–most recently consulting for The 2021 Festival of New American Theatre at Phoenix Theatre and on the macabre musical THE MOUNTAIN DIGBY (EP Charlie Barnett). Last year she sold an untitled toxic masculinity musical to an independent producer after a workshop production at New Musicals Inc. and her radio play THE DESTINY CINEMA 2 (starring David Mazouz, Wyatt Oleff, and Liana Liberato) was produced by Must B Nice. Pre-pandemic, she performed weekly at UCB with the improvised musical BABY WANTS CANDY and was a proud cast member of their 2019 total sell-out Edinburgh Fringe run.
Alice grew up on the South Side of Chicago. She studied playwriting at a weird-ass little conservative Christian college and later at the academic powerhouse Arizona State University. Before moving to Los Angeles, she was a Chicago Public Schools teacher and ran an anti-Islamophobia playwriting program for underserved high schoolers. At night she did improv and put up plays around the storefront theatre scene (plus once at The Goodman). Notable: Alice toured with The Second City on a dang cruise ship and her eco-terrorism musical MEAT CUTE had two successful sell-out runs at The Annoyance and The Cute Space.
She loves pastries, mentors for WriteGirl LA, and has seen one ghost.